Visual Narratology

Dimensões de uma mecânica narrativa do traço no humor gráfico: estruturas episódicas elementares das tirinhas diárias

Comics Studies / Visual Semiotics / Narratology / Visual Narratology / Aesthetics and Visual Culture / Theories of Narrative

No Disturbing Gazes

Classical Archaeology / Philosophy of Mind / Aesthetics / Visual Studies / Iconography / Visual Culture / Cultural Semiotics / Visual Narrative / Embodiment / History of the Senses / Phenomenology / Archaeological Method & Theory / Visual perception / Ancient Aesthetics / Anthropology of the Senses / Greek Myth / Visual Narratology / Ancient Greek Iconography / Classical Mythology / Ancient Visual Culture (Archaeology) / Greek Vases / Archaeology of the Senses / Ancient Greek Mythology / Visual Culture / Cultural Semiotics / Visual Narrative / Embodiment / History of the Senses / Phenomenology / Archaeological Method & Theory / Visual perception / Ancient Aesthetics / Anthropology of the Senses / Greek Myth / Visual Narratology / Ancient Greek Iconography / Classical Mythology / Ancient Visual Culture (Archaeology) / Greek Vases / Archaeology of the Senses / Ancient Greek Mythology

Ancient Images and Contemporary Sensoria

Classical Archaeology / Reception Studies / Visual Culture / Intermediality / Visual Narrative / History of the Senses / Transmedial Storytelling / Narrative and Identity / Anthropology of the Senses / Greek Myth / Classical Reception Studies / Visual Narratology / Sensory Cultures & Visuality / Ancient Visual Culture (Archaeology) / Greek Vases / Archaeology of the Senses / Sensory Studies / History of the Senses / Transmedial Storytelling / Narrative and Identity / Anthropology of the Senses / Greek Myth / Classical Reception Studies / Visual Narratology / Sensory Cultures & Visuality / Ancient Visual Culture (Archaeology) / Greek Vases / Archaeology of the Senses / Sensory Studies

Baroni, R. (2016) « A exploração temporal como modalidade da viagem imaginária nos quadrinhos da tradição franco-belga (1930-1980) », Ciberlegenda, n°34 (1), p. 20-41.

Visual Studies / Digital Media / Visual Culture / Comics Studies / Visual Narrative / Narratology / Comics / Science Fiction / Comics/Sequential Art / Graphic Novels / Narrative Analysis / Narrative Theory / Science Fiction and Fantasy / Graphic Novels Study / Visual Narratology / Visual Arts / Comics and Graphic Novels / Time Travel / Critical Theory, Deconstruction, Graphic Narrative, Comics, Latin American Literature, Film Studies, Cultural Studies, Ethnic Studies / Graphic Narrative / Theory of Comics / Chris Marker / Transmedial Narratology / H. G. Wells / Science-Fiction / Utopia and Science Fiction / Narratología / Science Fiction Studies / Mental time travel / Alan Moore / Jules Verne / English Literature, Graphic Novels, Comics Studies, Manga Studies, Popular Culture, Cultural Studies, Women's Studies, Gender Studies, Visual Culture / Postclassical Narratology / Watchmen / Chris Ware / Bande dessinée / Narratologie / Travel Time / Philosophy of Time Travel / Unnatural Narratology / The Watchmen / Thierry Groensteen / Narratology / Comics / Science Fiction / Comics/Sequential Art / Graphic Novels / Narrative Analysis / Narrative Theory / Science Fiction and Fantasy / Graphic Novels Study / Visual Narratology / Visual Arts / Comics and Graphic Novels / Time Travel / Critical Theory, Deconstruction, Graphic Narrative, Comics, Latin American Literature, Film Studies, Cultural Studies, Ethnic Studies / Graphic Narrative / Theory of Comics / Chris Marker / Transmedial Narratology / H. G. Wells / Science-Fiction / Utopia and Science Fiction / Narratología / Science Fiction Studies / Mental time travel / Alan Moore / Jules Verne / English Literature, Graphic Novels, Comics Studies, Manga Studies, Popular Culture, Cultural Studies, Women's Studies, Gender Studies, Visual Culture / Postclassical Narratology / Watchmen / Chris Ware / Bande dessinée / Narratologie / Travel Time / Philosophy of Time Travel / Unnatural Narratology / The Watchmen / Thierry Groensteen
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